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Director James Burrows has been the sole director on Will and Grace from the very beginning, and continues to demonstrate on the reboot his ability to orchestrate with elegant economy.
The DGA and Emmy Award winning cinematographer-turned-director fuses the painterly with the emotional on her third feature film.
As stage managers Gary Natoli, Garry Hood, John Esposito and Valdez Flagg navigate a set's innumerable moving parts, the clock is ticking and the pressure is on.
Part of the DGA’s Director Development Initiative, the new program built upon the Guild’s expanded talent development lineup and push for industry inclusion by pairing early-career directors (protégés) with veteran directors (mentors) who served as their professional guides to the working world of episodic television.
The life-or-death struggle has been an integral part of drama since filmdom's origin, but when the bulk of the story involves simply staying alive, the stakes couldn't be higher.
Martin Campbell's second Bond outing is action-packed, but a pivotal poker game between 007 and his arch nemesis gave the director pause.
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DGA Quarterly
DGA Quarterly Magazine Winter 2018
DGA Quarterly examines the craft of directing via in-depth articles about the issues and interests of DGA members such as: profiles of members and their projects, discussions of new technologies, explorations of Guild history and the achievements of its members, and expanded coverage of trends that affect directors and their teams.