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2025 DGA Latino Summit

DGA Latino Summit 2025: No Permission Needed

“Today we are going to focus on three moves: one for your project, one for your craft, and one for someone else,” was how Eli Gonda positioned the afternoon focused on creating opportunities for member growth and support.

In celebration of Latin Heritage Month, on October 4, attendees gathered in the Guild’s Los Angeles Theater for No Permission Needed, the fifth annual DGA Latino Summit. Hosted by the Latino Committee (LC) and its Career Advancement Sub-Committee — both dedicated to empowering Latinos in all Guild categories — the event provided attendees with an opportunity to connect and learn from their successful peers during an inspiring day of community, career development, and celebrating Latino excellence in the arts. The Summit also sought to reaffirm the Guild’s commitment to inclusion, representation and amplifying diverse voices across the entertainment industry.

Following a welcome from Summit Subcommittee members Gonda, Alejandro Brugués and SJ Main Muñoz —all of whom have served as current or former LC Co-Chairs — Gonda then kicked off the event by introducing the first panel of the day that dealt with working in television.


From Obstacle to Opportunity: Navigating A New Age of TV

Sharing practical, firsthand insights on thriving (and surviving) in this new age of television, Directors Aurora Guerrero, Norberto Barba, Ben Hernandez Bray and UPM Canella Williams-Larrabee engaged in a candid discussion on how to navigate the current industry flux in a conversation moderated by Director SJ Main Muñoz.

Muñoz framed the conversation by commenting, on the challenges of navigating an industry where so many directorial opportunities are being removed due to the contraction in the industry as well as other external factors.

Barba discussed the unique challenges the climate creates for Producing Directors when approaching hiring — particularly a reduction in hiring new Directors (including those new to the show but experienced) as studios became more conscious of cost.

Guerrero discussed how creators from underrepresented backgrounds leading productions helped create opportunities for others early on in her career and the visible shift in who is leading the storytelling now — impacting who is being extended the opportunity to tell stories as a result.

Hernandez Bray discussed the importance of mentors in his journey and the support he received transitioning into directing from the stunt world.

Williams-Larrabee discussed her twenty-year journey and the impact the current climate has had on hiring and how those decisions are being mad.


Beyond the System: Making your Feature Happen

The second Summit panel was a powerful blueprint for turning your creative vision into a successful reality outside the mainstream system. Directors Alonso Alvarez-Barreda, Marvin Lemus and Patricia Riggen shared tips on how to take control of your career by making your own feature during a discussion moderated by Director Antonio Negret.

Negret started the discussion by asking panelists about a project that was made beyond the system (traditional studio structure).

Riggen discussed the making of her first movie and dealing with studios. She noted the importance of independent filmmaking and the freedom it presents the filmmaker – particularly ensuring a theatrical release which was not initially on the table.

Lemus spoke about Gentified, a digital web series funded by Macro and how much he learned about the cost of doing business but also the importance of understanding how to connect to audiences in nontraditional ways to build success.

Alvarez-Barreda emphasized his greatest successes have been predicated on his own lack of knowledge of the system — allowing him to navigate, creatively, spaces that others may have seen limitations in


Spotlight: In the Directors’ Chairs

DGA Latino Summit 2025’s final panel featured a thought-provoking conversation between Directors Issa López and Phil Lord where they discussed how their lives influence their storytelling and what inspires the work they pursue as well as today’s challenges and opportunities.

Lord spoke of the resistance that presents itself when you try to do something new, something different. He discussed how sometimes the most significant decisions can occur so quickly and yet have such a significant impact – like the making of a Black Puerto Rican Spiderman.

López recalled her experience writing a murder-mystery like True Detective, and how unexpected that journey can be. She also discussed the projects that die in your hands that almost take you with them that then become your fuel and how that can propel you forward.

They ended the conversation with a final note from Lord on how the art of filmmaking is so much more than a single Director — “it is not a singular person’s vision; it’s a conversation and the conversation is what makes the movie.”.


See videos from this event in the gallery below.

ABOUT THE PANELISTS:

From Obstacle to Opportunity: Navigating A New Age of TV 

Aurora GuerreroDirector Aurora Guerrero
Guerrero’s directorial credits include the feature Mosquita y Mari; episodes of Sterling Point, Murderbot, The Other Black Girl, Little America, Blindspotting, Mr. Corman, Belair, The Wilds, Little America, Gentefied, 13 Reasons Why, Cherish the Day, Greenleaf, The Red Line and Queen Sugar; and the short films Pura Lengua and Viernes Girl. Guerrero has been a DGA member since 2018. 

 

Norberto BarbaDirector Norberto Barba
Barba’s directorial credits include the feature films Blue Tiger and SOLO; and the Emmy-nominated movie for television Apollo 11: The Movie. He has directed over 150 hours of television including the pilots of Mayans M.C. and Lights Out; and episodes of Better Call Saul, Reacher, Wu-Tang: An American Saga, Preacher, The Strain, The Path, S.W.A.T., Designated Survivor, Chicago Justice, The Bridge, Lights Out, In Treatment, Fringe, Suits, NCIS: Los Angeles, Blade: The Series, Threshold, CSI: Miami, CSI: NY, The Mentalist, Numb3rs and Resurrection Blvd. He has served as an Executive Producer and Director on the series Grimm, Law & Order: Criminal Intent and Law & Order: Special Victims Unit. A DGA member since 1994, Barba has served as a member of the DGA National Board and the Western Directors Council, is an active member of the Latino Committee, a Career Advancement Subcommittee leader, and a Mentor for the DGA Director Development Initiative. 

 

Ben Hernandez BrayDirector Ben Hernandez Bray
Bray’s directorial credits include the feature film El Chicano; and episodes of Walker, The Lincoln Lawyer, Cruel Summer, Big Sky, S.W.A.T., 9-1-1: Lone Star, Queen of the South, DC’s Legends of Tomorrow, Supergirl, Arrow and Roswell, New Mexico. His stunt coordinator/stunt performer credits include DGA Award-nominated features such as Bradley Cooper’s A Star Is Born and David O. Russell’s American Hustle; and DGA Award-winning features such as Ben Affleck’s Argo and Joel & Ethan Coen’s No Country for Old Men. Bray has been a DGA member since 2005.

 

Canella Williams-LarrabeeUPM Canella Williams-Larrabee
Williams-Larrabee’s Production Management and Production Supervisor credits include feature films such as Jingyi Shao’s Chang Can Dunk and Dayna Hanson’s Confession; Susanne Bier’s mini-series The Undoing; and episodes of The Night Agent, The Crowded Room, The Best Man: The Final Chapters, Raising Dion, Evil, Almost Family and NCIS: New Orleans. She has been a DGA member since 2019 and currently serves as the Chairperson of the Eastern AD/UPM Council, a Co-Chair of the Eastern Diversity Steering Committee, a member of the DGA Negotiations Committee and is a second alternate on the DGA National Board. 

 

SJ Main MunozDirector SJ Main Muñoz (moderator)
Main Muñoz’s directorial credits include episodes of Fear the Walking Dead, Seal Team, Manifest, Pulse, Chicago P.D. and Chicago Med; as well as numerous short films. In 2020, Main Muñoz was the only Latina narrative Director to be invited into the Academy of Motion Picture Arts and Sciences. Main Muñoz’s has been a member of the DGA since 2020 where just completed her service as a two-term Co-Chair of the Latino Committee and is now currently serving as an Alternate Member of the National Board.

 
 

Beyond the System: Making your Feature Happen 

Alonso Alvarez-BarredaDirector Alonso Alvarez-Barreda
Alvarez-Barreda’s directorial credits include the upcoming debut feature film, The Wingwalker; and episodes of Gringo Hunters, Snowfall, Hysteria!, Kindred, The Calling, American Horror Stories, Mosquito Coast, The Lincoln Lawyer, Mayans M.C., Big Sky, The Twilight Zone, The Chi and Party of Five. Alvarez-Barreda has been a DGA member since 2019.

 

Marvin LemusDirector Marvin Lemus
Lemus’s directorial credits include the feature film, Alexander and The Horrible, Terrible, No Good, Very Bad Road Trip; and episodes of Ultra Violet & Black Scorpion and The Chi; as well as the series Gentefied, where he served as Director, Co-Creator, Co-Showrunner and Executive Producer. Lemus has been a DGA member since 2021.

 

Antonio NegretDirector Antonio Negret (moderator)
Negret’s directorial credits include the feature films Towards Darkness, Seconds Apart, Transit, Overdrive and Shaman; and episodes of The Lincoln Lawyer, Hightown, Chilling Adventures of Sabrina, Boston Blue, Prodigal Son, National Treasure, Riverdale, Magnum P.I., Fire Country, The 100, Lethal Weapon, Alert, Once Upon a Time, L.A.’s Finest, The Flash, Arrow and MacGyver. Negret has been a DGA member since 2014.

 

Patricia RiggenDirector Patricia Riggen
Riggen’s directorial credits include the feature films G20, Girl in Progress, Under the Same Moon, The 33 and Miracles from Heaven; the pilot for the series Proven Innocent; and episodes of Saint X, Law & Order: Special Victims Unit, Little America, Alaska Daily, Dopesick and Tom Clancy’s Jack Ryan. She was nominated for the DGA Award for Outstanding Directorial Achievement in Children’s Programs for her 2011 movie for television Lemonade Mouth and won the DGA student film Award for Best Latino Student Filmmaker - East Coast for her 2002 short film La Milpa. Riggen has been a member of the DGA since 2010 and serves as an alternate of the DGA National Board and has served on the Western Directors Council.

 
 

Spotlight: In the Directors’ Chairs 

Issa LopezDirector Issa López
López’s directorial credits include the feature films Tigers Are Not Afraid, Casi divas and Secondary Effects; and episodes of True Detective: Night Country where she served as Writer, Director, and Executive Producer and earned a DGA Award nomination for Outstanding Directorial Achievement in Dramatic Series her work on episode “Part 6.” López has been a DGA member since 2022.

 

Phil LordDirector Phil Lord
In collaboration with his directing/writing/producing partner Chris Miller, Lord’s directing credits include the feature films 21 Jump Street and 22 Jump Street; the animated features The Lego Movie and Cloudy with a Chance of Meatballs; the pilot for the series Brooklyn Nine-Nine; and episodes of the series The Last Man on Earth. Lord has been a DGA member since 2011 and serves as a member of the National Board and as an alternate on the Western Directors Council. 

 

About the Committee:

The Latino Committee was created as a networking group to advance career and job opportunities for Latino DGA members by improving craft skills, networking, and making Latinos better known to the Hollywood creative community.

Click here to visit the Latino Committee webpage.

Pictures & Video

photos by Elisa Haber







Calendar

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