Steven Spielberg


Sugarland Express; Jaws; Close Encounters of the Third Kind; 1941; Raiders of the Lost Ark; E.T. the Extra-Terrestrial; Indiana Jones and the Temple of Doom; The Color Purple; Empire of the Sun; Indiana Jones and the Last Crusade; Always; Hook; Jurassic Park; Schindler's List; The Lost World: Jurassic Park 2; Amistad; Saving Private Ryan; A.I.; Minority Report; Catch Me If You Can; The Terminal; War of the Worlds; Munich; The Adventures of Tintin: the Secret of the Unicorn; War Horse; Lincoln; Bridge of Spies; The BFG; The Post; Ready Player One.

Click below to see this member's public contact information.

DGA Quarterly
DGA Quarterly Spring 2019 Screening Room David Yates on Jaws
David Yates
The director behind Harry Potter and Fantastic Beasts, David Yates, waxes nostalgic on the mix of horror, humor and ingenuity in Steven Spielberg’s Jaws.
DGA Quarterly Magazine Stanley Kubrick
As we approach the late filmmaker's 90th birthday, directors Jonathan Glazer, Nicholas Winding Refn and others wax poetic on why the legendary perfectionist behind 2001 and Barry Lyndon still matters
Richard Schickel
An intimate appraisal of the films that made Steven Spielberg an icon.
DGA Quarterly Winter 2012 Drawing Board Jurassic Park
Jurassic Park
CGI dinosaurs came alive for the first time in Steven Spielberg’s Jurassic Park with an assist from storyboard artist David Lowery.
DGA Quarterly Fall 2011
Saving Private Ryan
Steven Spielberg explains how he staged the massive D-Day invasion in Saving Private Ryan—and without storyboards.
DGA Quarterly Summer 2011 Out of the Past Spielberg
Steven Spielberg looks over the script for Jaws (1975) while shooting on the beach in Martha’s Vineyard.
DGA Quarterly Steven Spielberg
Steven Spielberg
Steven Spielberg just seems to get better with age, yet he never loses the boyish enthusiasm that makes his films so special.
DGA Quarterly Spring 2006 Screening Room Jaws
John Singleton
John Singelton watches Spielberg's classic E-ride and analyzes what makes it so scary-and profound.