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Womens Day at the DGA

Women’s Day at the DGA: Trailblazing Through Vision: How Creative Leaders Drive Change

Since the first Women’s Day event, the Women’s Steering Committee (WSC) has brought together talented women members of the Guild to discuss leading topics. On April 11, during their sixth event, Trailblazing Through Vision: How Creative Leaders Drive Change, the Committee honored now DGA Past President Lesli Linka Glatter and Board Alternate Patricia Riggen, two women whose groundbreaking work has expanded opportunity, representation, and artistic excellence in television and film.

Held in the DGA’s Los Angeles theater complex, this sixth annual celebration kicked off with a welcome from WSC Co-Chairs Shaz Bennett, Jade Jenise Dixon and Valerie Weiss and Alternate Co-Chair Liz Ryan, who spoke about how the Committee is the “largest and most diverse of all the committees in our Guild, and we stand on the shoulders of the women who came before us, including these two trailblazers through the work of the DGA and Women's Steering Committee.”

Following the introductions during a conversation moderated by Dixon, Glatter and Riggen engaged in a conversation reflecting on their leadership, legacy, and the evolving landscape for women Directors.

After revealing tidbits about her career such as her first jobs in television on Steven Spielberg’s anthology series Amazing Stories and David Lynch’s surrealist mystery Twin Peaks — where she earned the first of her nine DGA Award nominations — Glatter recalled how she became more involved at the Guild. “When I first came to my first meeting, the Western Directors Council, I hadn’t been elected yet. I looked around and there was this big table and Directors that I looked up to. I don’t think there were any women yet except for Martha Coolidge. I eventually got elected to the Council as an Alternate and I don’t think I spoke for a year. And then I found my voice and I found my community. I found that people were open and willing to hear different points of view. If you are outside of that, come inside and help us change it. I always say, ‘I don’t want to be the smartest person in the room, but I do want to be with the smartest people.’”

Riggen shared the lessons she learned on her first feature film, Under the Same Moon. “I was very shy to call agents myself. I never had the nerve to pick up the phone. While all my male classmates got agents, I didn’t get an agent because I didn’t call. And that’s the lesson. Believe in yourself. Have self-confidence. When I had a feature script, I was able to say, ‘This is the script. And this is me. This is how I can direct,’ and I got the financing for my first feature film. So, make your short or whatever. Be sure you have something that you’re passionate about. That’s your presentation card. Because we don’t have a diploma that says you’re a Director.”

Speaking of working in television, Glatter said, “I have never approached television differently, and I have directed a bunch of pilots. Being a serious Director and going into someone else's sandbox is a bit different, but you still have to tell an impeccable story. Use everything that you have as an opportunity to hone your craft and tell your story in the best way possible."

Riggen closed by speaking about the importance of representation. “Keep supporting organizations like the DGA and groups and teams and keep pushing the studios and executives and everyone who makes decisions. We need women and people of color in the rooms making the decisions of who to hire. Because as long as there is no representation there, they’re not going to understand the story that you’re bringing.”


Video from this event coming soon to the gallery below.

ABOUT THE PANELISTS:

Lesli Linka GlatterDGA Past President Lesli Linka Glatter
Glatter’s directorial and producing credits include episodes of Imperfect Women, Zero Day, Love & Death, Homeland, Law & Order True Crime, Six, The Leftovers, The Playboy Club and The Chicago Code. Her directorial credits also include the features Now and Then, The Proposition and State of Emergency; and episodes of The Morning Show, The West Wing, ER and Freaks and Geeks. She is a nine-time DGA Award nominee most recently in the 2025 Limited & Anthology Series category for Zero Day, “Episode 6” and previously in 2018, 2016, 2013 and 2012 for the Dramatic Series category for her Homeland episodes, “Paean to the People,” “The Tradition of Hospitality,” “The Star,” and “Q & A,” as well as in 1990 for Twin Peaks, “Episode 32006.” She previously won in the Dramatic Series category in 2020 for Homeland, “Prisoners of War,” in 2015 for Homeland, “From A to B and Back Again, and in 2009 for Mad Men, “Guy Walks into an Advertising Agency.” Glatter has been a DGA member since 1985 and served as the President of the Guild from 2021 to 2025.

 

Patricia RiggenDGA Board Alternate Patricia Riggen
Riggen’s directorial credits include the feature films G20, Girl in Progress, Under the Same Moon, The 33 and Miracles from Heaven; the pilot for the series Proven Innocent; and episodes of Saint X, Law & Order: Special Victims Unit, Little America, Alaska Daily, Dopesick and Tom Clancy’s Jack Ryan. She was nominated for the DGA Award for Outstanding Directorial Achievement in Children’s Programs for her 2011 movie for television Lemonade Mouth and won the DGA student film Award for Best Latino Student Filmmaker - East Coast for her 2002 short film La Milpa. Riggen has been a member of the DGA since 2010 and serves as an Alternate Member of the DGA National Board and previously served as an Alternate on the Western Directors Council.

 

Jade Jenise DixonDirector Jade Jenise Dixon (moderator) 
Dixon’s directorial credits include the features Truth Hall and Dog Park; episodes of Kold x Windy; and the film festival award-winning short Yellow Inside. She was nominated for a 2023 Emmy for Outstanding Directing for a Multiple Camera Program for an episode of Raven’s Home. Dixon has been a DGA member since 2022 and currently serves as a Co-Chair of the Women’s Steering Committee.

 

ABOUT THE COMMITTEE:

The Women's Steering Committee (WSC) was created to advance the professional interests of its members, and to heighten their visibility and career opportunities in the entertainment industry. The WSC currently promotes diversity through sponsoring net-working events, screenings and seminars, and fosters relationships between the members to provide support, mentoring and networking opportunities.



Pictures

photos by Elisa Haber







Calendar

Women's Day at the DGA: The Power of Genre Blending
A DGA Women's Steering Committee Event
Women’s Day: The Language of the Auteur
A DGA Women's Steering Committee Event
Women’s Day: Reclaiming the Gaze
A DGA Women's Steering Committee Event

DGA LAYOUT