Gene Reynolds discusses with John Rich his career as a television director working on notable series like M*A*S*H and Lou Grant and his long-time service to the Director's Guild of America, including two terms as DGA President.
Veteran feature and documentary film director and past-president of the DGA Michael Apted discusses his 45-plus year directorial career, highlighting his work on the Seven Up! documentary series, Coal Miners Daughter (1980), and Nell (1994) and reflecting on his presidency and Guild leadership over the years.
Randal Kleiser (Grease, The Blue Lagoon, White Fang) discusses his career as a director of feature films and TV movies, as well as, his active involvement in the DGA including serving in the Special Projects Committee.
Mira Nair discusses her 35-plus-year directorial career, highlighting her documentaries (Jama Masjid Street Journal, India Cabaret), independent features (Salaam Bombay!, Mississippi Masala, Monsoon Wedding), and studio features (Vanity Fair, Amelia, Queen of Katwe).
Michael Schultz recalls his career through four decades of directing, beginning in the theater, successes with Cooley High and Car Wash, and his prolific work in episodic television.
Director Robert Altman describes his working philosophy, often comparing filmmaking to painting, and discusses the sources of his storytelling and directing techniques he used on films like M*A*S*H, McCabe & Mrs. Miller, and The Player.
Bill D’Elia discusses his 30-year career as a television director and producer-director highlighting his work on Ally McBeal, The Practice and Boston Legal among other series.
Former Associate National Executive Director, Warren Adler, shares invaluable insights about the Guild's negotiating history from his extensive involvement on 11 of the Guild's Basic Agreement and FLTTA negotiations cycles over a 32-year career at the DGA.
Gil Cates recounts to his son and interviewer Gil Cates, Jr. his experiences as a feature film director, Dean of UCLA's Theater, Film, and Television Program, and President of the DGA.
Director Jim Sheridan discusses his 30-plus year directorial career in feature film, highlighting his work on My Left Foot (1989), In the Name of the Father (1993), and In America (2002) among other notable projects.
Bill Duke discusses his directorial career and working with Ossie Davis, Laurence Fishburne and Forest Whitaker in films such as Deep Cover, A Rage in Harlem, Hoodlum, and Deacons for Defense. He also discusses changes in the film industry and the DGA’s role in fostering diversity in Hollywood.
Director Charles Haid (Nip/Tuck, Criminal Minds, ER) discusses his 20-plus year directorial career in episodic television and movies for television, working with Robert Butler on the influential show Hill Street Blues and his service on the DGA’s Television Creative Rights Committee.
Jeremy Kagan (The Chosen, The Journey of Natty Gann, Crown Heights) discusses his 40-plus year career as a director of feature films, TV movies, and episodic television, and his active involvement in the DGA including serving as the Chair of the Special Projects Committee.
Director Ed Bianchi discusses his 45-year directorial career in commercials and episodic television, highlighting his commercial work for Eastern Air Lines, Pepsi Cola, and American Express, as well as his episodic work on Boardwalk Empire, The Wire and The Get Down.
Jerry Schatzberg discusses his 50-plus year career as a director of such films as Puzzle of a Downfall Child (1970), The Panic in Needle Park (1971) and Scarecrow (1973); and working with Al Pacino, Gene Hackman and Faye Dunaway.