As director of the Sundance Film Festival for sixteen years, Geoff Gilmore has helped change the face of independent film. He surveys the current scene with Quarterly
editor James Greenberg.
Even the most critic-averse director will find something to savor in this comprehensive anthology of intelligent, thoughtful writing on film.
At an age when most people are thinking about retirement, Clint Eastwood just keeps getting better. In his usual no-nonsense style, he talks about what he's accomplished-and what keeps him going.
Documentaries and DV
These are not your father's documentaries. Digital technology has revolutionized the form and content of non-fiction films. But does that make them better?
Cast & Crew
In 1969, the cast and crew of Citizen Kane
were interviewed for the DGA's Action
magazine about their experience working with the iconoclastic Orson Welles on his masterpiece.
Bob Goldthwait explains why his film Stay
isn't as outrageous as you might think.
Michel Gondry makes his cinematic dream life come true.
Robert Wise was the consummate professional. His body of work ranged from musicals - West Side Story
- to film noir - The Set-Up
- and everything in between. Here's a look at the director at work.
John Singelton watches Spielberg's classic E-ride and analyzes what makes it so scary-and profound.
Peter Jackson tells how he got King Kong up the Empire State Building.
Directing the Olympics
Directors past and present talk about the experience of working the Olympic Games and how they captured the action.
UPMs on Episodics
It's not just about balancing books. UPMs on one-hour episodic television have to be nimble balancing a multitude of duties. And the job's not getting easier.