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Winter 07/08 - Volume 3, Number 4
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The DGA Interview:
Talking Pictures
Nobody can talk about films like Martin Scorsese. From the movies of his youth and his mentors to his own films, he brings a lifetime of experience to the conversation.
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The Good News
Local news directors at stations around the country swap war stories and share their experiences dealing with the unexpected.
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Performance Artist
After a soaring career on the British stage, Sam Mendes made his film debut with American Beauty. But he’s still more excited about great acting than he is about a spectacular shot.
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The Big Show
Director Louis J. Horvitz and his team have been working on the Oscars for more than a decade, and it’s still a challenge balancing all the crazy things that can happen.
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In the Screening Room:
Murder Most Foul
Indie icon John Sayles strays from the socially conscious contemporary cinema he’s known for and guides us through the moors of 11th-century Scotland in Roman Polanski’s The Tragedy of Macbeth.
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Celebrating Excellence
Since the DGA Awards started in 1948, the show has evolved with the times, but the familial nature and collegial spirit have remained unchanged. Here’s how it all happened.
By Darrell Hope and Rob Feld
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And the Winners Are…
Each year the DGA honors the greatest achievement in films. To mark the 60th anniversary of the Awards, we present a gallery of directors working on their winning pictures.
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Profiles
On the Job With…
1st AD to the rescue, SM with a plan, quiet on the set.
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Independent Voice
Nothing Can Stop Her
From her youth in Texas, her training as an architect, and her experience as a production designer, Catherine Hardwicke has really learned the value of persistence.
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10 Questions
Agents at Work
Karen Stuart, executive director of the Association of Talent Agencies, reflects on the changing nature of an agent’s job.
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Funny Business
The Oscar Ordeal
Sure, going to the Academy Awards is fun, but you have to dress the part, and forget about the traffic.
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Legends of the Guild
Larry Auerbach
A look at the early television pioneer and lifelong advocate for directors' rights.
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The Industry
Solving the Last 10 Feet
Eventually we will be able to connect our computer to our TV, but not just yet.
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Shot to Remember
Liftoff
Ron Howard revisits the launch sequence from Apollo 13 and explains how he made it look so real.
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