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Spring 2007 - Volume 3, Number 1
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The DGA Interview:
Coppola Rising
After a 10-year absence from directing, Francis Ford Coppola is back with Youth Without Youth, a return to the personal filmmaking of his younger days.
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Back to School
When he directed High School Musical, Kenny Ortega had no idea it was going to turn into a preteen phenomenon. Working on the sequel, he tried to capture the same energy.
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Shooting The Sopranos
As David Chase’s 80-hour tale of crime and punishment comes to its grand finale, we look at the contribution of its unsung heroes—the directors.
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In the Screening Room:
Love for Sale
Stephen Frears takes a close look at Hitchcock’s use of close-ups in Notorious. Repression never looked so good.
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Save the Day
Film preservation used to be for old films. Not anymore. In the digital age, directors need to take responsibility for saving their own work.
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What Makes
Del Toro Tick?
Guillermo del Toro loves to assemble the pieces of a film to see how they fit. For Pan’s Labyrinth, he created a child’s magical world side-by-side with the horrors of war.
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Early Birds
Directing a network morning news show is no job for the faint of heart. For one thing, you have to get up in the middle of the night.
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Out of Africa
With a slew of recent films, it might seem Hollywood has just discovered Africa as a location. But directors have been using the sweeping landscapes and dramatic terrain since the ’30s.
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Profiles
On the Job With…
Commercial whiz, art of the UPM, soap associate.
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Independent Voice
Team Play
After American Splendor, Robert Pulcini and Shari Springer Berman take a different kind of risk with The Nanny Diaries.
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10 Questions
Straight to DVD
Netflix’s Ted Sarandos talks about how the online rental company has changed the video business…and what’s next.
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The Industry
Doing the Cannes Cannes
The Cannes Film Festival, celebrating its 60th anniversary, has long been friendly turf for American directors.
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Funny Business
How to Be “Directorial”
The director of Meet the Fockers and Austin Powers looks for his “Inner Eastwood.”
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Legends of the Guild
Jack Shea
A look at the DGA President who led the Guild into the 21st Century.
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Shot to Remember
Steppin’ to the Bad Side
Bill Condon explains how he kept the plot moving and the music jumping in one of the big production numbers from Dreamgirls.
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