DGA Quarterly | Volume II, Number 3 - Fall 2006 - click here to return to Table of Contents
INTO THE WEST: Wilder as an urban cowboy shooting perhaps his most caustic film, Ace in the Hole (1951), on location in New Mexico. - photos courtesy of the Academy of Motion Picture Arts and Sciences - click image for larger view and more info.
INTO THE WEST: Wilder as an urban cowboy shooting perhaps his most caustic film, Ace in the Hole (1951), on location in New Mexico. - photos courtesy of the Academy of Motion Picture Arts and Sciences and MPTV.net - click images for larger views and more info.
DEEP FOCUS: Gloria Swanson, Erich von Stroheim (left), William Holden (center) and crew look on intently as Wilder examines a strip of film on the set of Sunset Blvd. (1950). - photo courtesy of the Academy of Motion Picture Arts and Sciences  - click image for larger view and IMDB info.

DEEP FOCUS: Gloria Swanson, Erich von Stroheim (left), William Holden (center) and crew look on intently as Wilder examines a strip of film on the set of Sunset Blvd. (1950).

CLOSE-UP: Wilder directs a shot of Norma Desmond (Gloria Swanson) getting a facial in preparation for her imagined return to the screen in Sunset Blvd. (1950). - photo courtesy of the Academy of Motion Picture Arts and Sciences  - click image for larger view and IMDB info.

CLOSE-UP: Wilder directs a shot of Norma Desmond (Gloria Swanson) getting a facial in preparation for her imagined return to the screen in Sunset Blvd. (1950).

FEMME FATALE: Wilder sets up a secret meeting in a supermarket between Barbara Stanwyck and Fred MacMurray after they’ve knocked off her husband in Double Indemnity (1944). - photo courtesy of the Academy of Motion Picture Arts and Sciences  - click image for larger view and IMDB info.

FEMME FATALE: Wilder sets up a secret meeting in a supermarket between Barbara Stanwyck and Fred MacMurray after they’ve knocked off her husband in Double Indemnity (1944).

UNDER AGE: Wilder goes over lines with Ginger Rogers on his first film, The Major and the Minor (1940). In the movie, she pretends to be a 12-year-old to get a child’s fare on the train. - photo courtesy of the Academy of Motion Picture Arts and Sciences  - click image for larger view and IMDB info.

UNDER AGE: Wilder goes over lines with Ginger Rogers on his first film, The Major and the Minor (1940). In the movie, she pretends to be a 12-year-old to get a child’s fare on the train.

CLASSIC COKE: Wilder directs James Cagney on the street in West Berlin. Cagney plays a Coca-Cola executive in the Cold War comedy, One, Two, Three (1960). - photo courtesy of the Academy of Motion Picture Arts and Sciences - click image for larger view and IMDB info.

CLASSIC COKE: Wilder directs James Cagney on the street in West Berlin. Cagney plays a Coca-Cola executive in the Cold War comedy, One, Two, Three (1960).

THE FAB THREE: Wilder on the set with Walter Matthau, as shyster lawyer Whiplash Willie, who gets stooge Jack Lemmon to exaggerate his injuries to collect insurance money in The Fortune Cookie (1966). - photo courtesy of the Academy of Motion Picture Arts and Sciences  - click image for larger view and IMDB info.

THE FAB THREE: Wilder on the set with Walter Matthau, as shyster lawyer Whiplash Willie, who gets stooge Jack Lemmon to exaggerate his injuries to collect insurance money in The Fortune Cookie (1966).

SHALL WE DANCE: Wilder shows Jack Lemmon, masquerading as Daphne–the bass player in an all-girls band–how to tango in Some Like It Hot (1959). - photo courtesy of the Academy of Motion Picture Arts and Sciences  - click image for larger view and IMDB info.

SHALL WE DANCE: Wilder shows Jack Lemmon, masquerading as Daphne–the bass player in an all-girls band–how to tango in Some Like It Hot (1959).

TWO CENTS PLAIN: Wilder must have enjoyed demonstrating the proper technique for giving his good friend Jack Lemmon a spritz of seltzer in Irma la Douce (1963). - photo courtesy of MPTV.net  - click image for larger view and IMDB info.

TWO CENTS PLAIN: Wilder must have enjoyed demonstrating the proper technique for giving his good friend Jack Lemmon a spritz of seltzer in Irma la Douce (1963).

HOME COOKING: After she tries to kill herself, Shirley MacLaine is nursed back to health by Jack Lemmon, under the watchful eye of Dr. Wilder, in The Apartment (1960). - photo courtesy of the Academy of Motion Picture Arts and Sciences  - click image for larger view and IMDB info.

HOME COOKING: After she tries to kill herself, Shirley MacLaine is nursed back to health by Jack Lemmon, under the watchful eye of Dr. Wilder, in The Apartment (1960).

FALLING IN LOVE: Wilder orchestrates the courtship of Audrey Hepburn and her unlikely suitor, Humphrey Bogart, in a scene from Sabrina (1954). - photo courtesy of MPTV.net  - click image for larger view and IMDB info.

FALLING IN LOVE: Wilder orchestrates the courtship of Audrey Hepburn and her unlikely suitor, Humphrey Bogart, in a scene from Sabrina (1954).

NOBODY'S PERFECT: Wilder shows Marilyn Monroe (off camera) how to kiss the supposedly frigid Tony Curtis in the seduction scene from Some Like It Hot (1959). - photo courtesy of the Academy of Motion Picture Arts and Sciences  - click image for larger view and IMDB info.

NOBODY'S PERFECT: Wilder shows Marilyn Monroe (off camera) how to kiss the supposedly frigid Tony Curtis in the seduction scene from Some Like It Hot (1959).

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