DGA Monthly - Volume 3 - Issue 4 - April 2006 - click here to return to table of contents
DGA Magazine VOL 28-3: September 2003

Cinematographer Robert Primes gives DGA Members view a demo of the Genesis™ camera’s capabilities in Panavision’s screening room. - photo by Anna Pocaro - click image for larger view.
Cinematographer Robert Primes (center) leads his team in the demo of the Genesis™ camera in Panavision’s control room. - photo by Anna Pocaro - click image for larger view.
On Saturday, March 4, 2006, DGA members were invited to the Panavision facility in Woodland Hills, California for a special workshop on camera lighting and sound for digital production.

The event was designed to help members learn what they need to know from experts with practical knowledge about getting the best quality from sophisticated digital camera and sound systems.

Emmy Award-winning cinematographer, Robert Primes, ASC (My Antonia) demonstrated how to light and shoot in three different situations under very different lighting conditions using Panavision’s state-of-the-art Genesis™ camera and a specially designed shot involving choreography with a telescoping Technocrane. Assisting Primes in the demo were camera operator Mitch Dubin (Munich), Key Grip Michael Pizzuto (My Name is Earl), Behind-the-Scenes Camera Operator Matt Siegel (Joan of Arcadia), Gaffer Jeff Strong (Seven), and Camera Assistant Christopher Taylor (CSI: Miami).

The second part of the workshop featured Western AD/UPM/TC Council Chair Cleve Landsberg, Academy Award-winning Sound Mixer Mark Ulano (Titanic), Emmy Award-winning Supervising Sound Editor Christopher Welch (The Day After), and Re-Recording Mixer Andy Koyama (Meet The Fockers) who gave the attendees an inside look at essential sound concepts, techniques and tricks necessary to create great movie sound from capture to final mix.

A telescoping technocrane is used to create a complex shot. - photo by Anna Pocaro - click image for larger view.
Cinematographer Robert Primes and the Panavision Team. - photo by Anna Pocaro - click image for larger view.
The second part of the workshop, Inside The Tracks, explored the area of sound. with Western AD/UPM/TC Council Chair Cleve Landsberg. - photo by Anna Pocaro - click image for larger view.
Sound Editor Christopher Welch, Re-Recording Mixer Andy Koyama, DGA AD/UPM/TC Council Chair Cleve Landsberg, and Sound Mixer Mark Ulano revealed movie sound techniques. - photo by Anna Pocaro - click image for larger view.
A DGA member asks a question during the Lighting & Sound for Digital Production workshop at Panavision. - photo by Anna Pocaro - click image for larger view.

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