RATECARDS
 

2004-2005 Freelance Live and Tape Television Rate Card

Directors Guild of America Minimum Salary Schedules as per the Freelance Live and Tape Television Agreement for Directors, Associate Directors, Stage Managers & Production Associates

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Directors Rates:

Associate Director & Stage Manager Minimums:

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Rates Effective July 1, 2004 to June 30, 2005 0-15 MIN. 16-30 MIN. 31-60 MIN. 61-90 MIN. 91-120 MIN.
Program Rate $12,587 $19,361 $32,879 $54,798 $92,056
Included Days (Parenthesis Indicate Included Days Which Need Not Be Consecutive) 4 7 (1) 15 (2) 25 (4) 42 (7)
Compensation For Days Worked Beyond Guarantee (Daily)
$3,147
$2,766 $2,192 $2,192 $2,192
Rates Effective July 1, 2004 to June 30, 2005 0-15 MIN. 16-30 MIN. 31-60 MIN. 61-90 MIN. 91-120 MIN.
Program Rate $4,119 $7,844 $14,419 $23,048 $27,734
Included Days (Parenthesis Indicate Included Days Which Need Not Be Consecutive) 3 6 (1) 12 (2) 24 (4) 24 (5)
Compensation For Days Worked Beyond Guarantee (Daily) $1,373 $1,307 $1,202 $960 $1,156

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Rates Effective July 1, 2004 to June 30, 2005 0-15 MIN. 16-30 MIN. 31-60 MIN. 61-90 MIN. 91-120 MIN.
Program Rate $2,052 $3,526 $4,087 $5,194 $6,247
Included Days (Parenthesis Indicate Included Days Which Need Not Be Consecutive) 2 4 5 6 7
Compensation For Days Worked Beyond Guarantee (Daily) $1,026 $882 $817 $867 $892

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Rates Effective July 1, 2004 to June 30, 2005 0-30 MIN. 31-60 MIN. 61-90 MIN. Over 90
MIN.
Program Rate $15,371 $26,098 $43,494 $62,947
Included Days (Parenthesis Indicate Included Days Which Need Not Be Consecutive) 10 (2) 18 (4) 36 (8) 48 (10)
Compensation For Days Worked Beyond Guarantee (Daily) $1,537 $1,450 $1,208 $1,311
Rates Effective July 1, 2004 to June 30, 2005 0-15 MIN. 16-30 MIN. 31-60 MIN. 61-90 MIN. OVER 90 MIN.
Program Rate $4,408 $6,773 $11,741 $23,489 $27,104
Included Days (Parenthesis Indicate Included Days Which Need Not Be Consecutive) 3 5 (1) 9 (2) 18 (4) 24 (5)
Compensation For Days Worked Beyond Guarantee (Daily) $1,469 $1,355 $1,305 $1,305 $1,129

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Rates Effective July 1, 2004 to June 30, 2005 0-15 MIN. 16-30 MIN. 31-60 MIN. 61-90 MIN. OVER 90 MIN.
Program Rate $2,899 $4,448 $6,427 $8,409 $11,885
Included Days (Parenthesis Indicate Included Days Which Need Not Be Consecutive) 3 6 (1) 9 (2) 14 (4) 18 (5)
Compensation For Days Worked Beyond Guarantee (Daily) $966 $741 $714 $601 $660
Rates Effective July 1, 2004 to June 30, 2005 0-15 MIN. 16-30 MIN. 31-60 MIN. 61-90 MIN. OVER 90 MIN.
Program Rate $2,052 $3,151 $4,087 $5,194 $6,247
Included Days (Parenthesis Indicate Included Days Which Need Not Be Consecutive) 2 4 5 6 7
Compensation For Days Worked Beyond Guarantee (Daily) $1,026 $788 $817 $866 $892
Program Rate $1,576
Included Days (Parenthesis Indicate Included Days Which Need Not Be Consecutive) 1
Rates Effective July 1, 2004 to June 30, 2005

1/2-Hour Dramatic Programs with budgets of
$443,487 or more

1-Hour Dramatic Programs with budgets of
$831,539 or more

1-1/2 Hour Dramatic Programs with budgets of
$2,217,436 or more

2-Hour Dramatic Programs with budgets of
$2,217,436 or more

Program Rate $7,844 $14,419 $23,048

$59,097

Included Days (Parenthesis Indicate Included Days Which Need Not Be Consecutive) 6 (1) 12 (2) 24 (4) 42
Compensation For Days Worked Beyond Guarantee (Daily) $1,307 $1,202 $960 $1,407

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Rates Effective July 1, 2004 to June 30, 2005 0-15 MIN. 16-30 MIN. 31-60 MIN. 61-90 MIN.
Program Rate $2,257 $3,463 $4,466 $5,142
Included Days 2 3 4 5
Compensation For Days Beyond Guarantee (Daily) $1,129 $1,154 $1,117 $1,028

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Rates Effective July 1, 2004 to June 30, 2005 0-15 MIN. 16-30 MIN. 31-60 MIN. 61-90 MIN.
Program Rate $2,147 $3,301 $4,260 $4,897
Included Days 2 3 4 5
Compensation For Days Beyond Guarantee (Daily) $1,074 $1,100 $1,065 $979

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Rates Effective July 1, 2004 to June 30, 2005 0-15 MIN. 16-30 MIN. 31-60 MIN.
Program Rate $1,304 $2,004 $3,494
Included Days 1 2 3
Compensation For Days Beyond Guarantee (Daily) $1,304 $1,002 $1,165
Rates Effective July 1, 2004 to June 30, 2005 0-15 MIN. 16-30 MIN. 31-60 MIN. OVER 60 MIN.
Program Rate $3,447 $5,308 $6,600 $7,786
Included Days 3 6 7 8
Compensation For Days Beyond Guarantee (Daily) $1,149 $885 $943 $973
Rates Effective July 1, 2004 to June 30, 2005 0-15 MIN. 16-30 MIN. 31-60 MIN. OVER 60 MIN.
Program Rate $3,375 $5,194 $6,134 $7,076
Included Days 3 6 7 8
Compensation For Days Beyond Guarantee (Daily) $1,125 $866 $876 $885
Length 0-15 MIN. 16-30 MIN.
Rate $19,654 $39,314 (or the applicable pilot fee, if less, but in no event less than $19,654)
Included Days

10 days, of which 4 must be consecutive

14 days, of which 6 must be consecutive

Compensation for days worked beyond Guarantee (Daily) $1,965 $2,808
Program Rate 1 PER WEEK 2 PER WEEK 3 PER WEEK 4 PER WEEK 5 PER WEEK 6 PER WEEK 7 PER WEEK
5 min. or less

$540

$859 $1,039 $1,185 $1,307 $1,396 $1,492
over 5 min. TO 10 min.

$816

$1,085 $1,361 $1,620 $1,855 $2,031 $2,215
over 10 min. TO 15 min.

$1,133

$1,711 $2,167 $2,720 $3,173 $3,397 $3,607
over 15 min. TO 30 min.

$2,720

$3,612 $4,064 $4,647 $5,194 $5,638 $6,086
over 30 min. TO 45 min. $2,941 $3,837 $4,512 $5,109 $5,655 $6,098 $6,556
over 45 min. TO 60 min.

$3,665

$4,354 $5,040 $5,633 $6,178 $6,631 $7,088
over 60 min.: Applicable Hour Rate + Rate For Each Additional 1/2 Hour

$942

$750 $977 $981 $987 $992 $1,006
MINIMUM DAILY RATE: NON-PRIME-TIME: $787/PRIME-TIME: $1,181
Rates Effective July 1, 2004 to June 30, 2005 Associate Directors First Stage Managers Second & Additional Stage Managers
Weekly Studio rate $3,385 $2,812 $2,430
Weekly Production Fee, Studio $627 $589* 0
Pro-Rated at, Daily $125 $118* 0
Weekly Location rate $4,738 $3,928 $3,395
Weekly Production fee, location $770 $766* 0
Pro-Rated at, Daily $125 $128* 0
Daily Rate, Studio $846 $703 $608
Daily Production Fee, Studio (Daily Employment Only) $157 $147* 0
Daily Rate, Location $1,185 $982 $849
Daily Production Fee, Location (Daily Employment Only) $193 $192* 0
Basic Cable Dramatic Programs: ½-Hour with budgets between $443,487 and $665,231; 1-Hour with budgets between $831,539 and $1,219,590; 2-Hour with budgets of between $2,217,436 and $3,880,513 = 83½% of the above rates
*PRODUCTION FEE PAYABLE TO 1ST STAGE MANAGER ONLY

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ASSOCIATE DIRECTOR & STAGE MANAGER MINIMUMS PROGRAMS OTHER THAN PRIME-TIME DRAMATIC PROGRAMS

Rates Effective July 1, 2004 to June 30, 2005

Associate Director Stage Manager Associate Director/Stage Manager Combination (Where Permitted)
DAILY, 8 HOURS $494 $451 $707
WEEKLY, 40 HOURS $2,184 $2,016  
DAILY FLAT (12 HOURS) $664 $616 $965
WEEKLY FLAT $2,919 $2,700
OVERTIME:
Daily 8,
Daily Flat & Weekly Flat;
$92.63 $84.56 $132.56
OVERTIME: Weekly 40 $81.90 $75.60

All Prime-Time Entertainment ADs and SMs -
$56.75 Production Fee for all camera blocking & taping days.

ALL NON-PRIME-TIME ENTERTAINMENT ADs and SMs -
$18.25 Production Fee for each camera blocking & taping day worked up to a maximum of $47.00 per week.

OTHER CONTRACT INFORMATION

Live Multi-camera dramatic productions are covered under the FLTTA

The "Interim Settlement Agreement" covers NEW Prime Time Multi-camera Dramatic Programs, principal photography of which begins on or after February 11, 2002.

Programs that were in production prior to February 11, 2002 remain under the terms and conditions of the BA or FLTTA agreement in effect on that date.

All single camera productions will be covered under the Basic Agreement.

Completion of Assignment Pay:
PRIME-TIME DRAMATIC

ADs & SMs of Prime-Time Dramatic programs are entitled to an additional week's salary upon completion of assignment if employed 2 or more consecutive weeks, or to 2½ days salary if employed less than two weeks, up to a maximum of 6 weeks additional salary in any single production season.

ADs and SMs who work 4 days a week get the same completion of assignment pay as if they work five days a week. The completion of assignment for an AD or SM employed for 2 or 3 days a week for three or more consecutive weeks is 1/20th of the minimum weekly rate for each day worked during such consecutive weeks, but no more than the weekly salary.

Capricious Discharge  

All Associate Directors and Stage Managers employed on a weekly basis for at least 3 consecutive workweeks should be made aware of problems with their performance at least two days prior to being replaced. If such Employee is replaced other than for cause, without the 2 days notice, s/he shall be entitled to one week plus 2 days salary in addition to any other payments due.

If an AD or Key SM who worked 4 or 5 days per week has completed 50% of the episodes in a single television series order of 13 or more episodes (excluding options) is replaced without good cause, the Company must pay 3 weeks completion of assignment pay. If the replaced AD or Key SM worked 2-3 days week, the company must pay completion of assignment equal to three times 1/20th of the weekly rate for each workday in the consecutive weeks worked, but no more than three times the weekly minimum.

Mileage Expense

When an AD or SM furnishes his or her own transportation, he or she shall be entitled to a mileage expense of $.30 per mile.

The distant location incidental allowance is $18.00 per day and is payable at the same time and in the same manner as per diem is paid.

Any AD or SM is entitled to receive with his or her closing check earned vacation pay at the rate of 4% of salary paid during the period of employment. ADs and SMs employed on Prime-Time Dramatic programs are entitled to another 3.719% of salary as Unworked Holiday pay (subject to an offset of amounts paid for Holidays occurring during the employment period), payable by check sent to the Employee by April 15 of the year subsequent to the calendar year in which such pay is earned.

Extended Workday

When ADs and SMs are employed on multi-camera Prime-Time Dramatic programs and work more than 16 hours before being dismissed, they shall receive an additional day's salary for each four hour period or portion thereof worked beyond 16 hours. Such salary in all cases shall be 1/5 of the studio workweek rate and shall be excluded from all other computations.

On single-camera Prime-Time Dramatic programs on camera rehearsal and taping days only
  WORKDAY BEGINS WORKDAY ENDS
AD General Crew Call End of Camera Wrap
SM Earlier of talent, make-up personnel, hairstyling personnel call or general crew call.

½-hour after camera rehearsal or taping in studio or 1 hour after end of camera rehearsal or taping on distant location or "bus to" local location.

Actual travel time shall be added for "bus-to's" and distant location, but not for "report to's".

When any combination of 3 ADs or SMs are employed and work more than 16 hours before being dismissed, they shall receive an additional day's salary for each four hour period or portion thereof worked beyond 16 hours. Such salary in all cases shall be 1/5 of the studio workweek rate and shall be excluded from all other computations.

When fewer than any combination of 3 ADs or SMs are employed:

AD SM

14+ to 16 hours - additional ½-day's salary

13+ to 16 hours - additional ½-day's salary

16+ to 20 hours - another ½-day's salary

14+ to 16 hours worked on "bus to" or distant location - additional ½-day's salary

20+ hours - another additional full day's salary for each 4-hour period or fraction thereof.

16+ - another additional full day's salary for each 4-hour period or fraction thereof.

Preparation Time:

Freelance Associate Directors and Stage Managers of dramatic and variety programs shall be guaranteed preparation time of not less than:

Freelance Associate Directors and Stage Managers of dramatic and variety programs shall be guaranteed preparation time of not less than:
Length of Program # Of Programs On Which Continuing Employment Is Assigned Guaranteed Preparation Days Per Program
AD SM
15 MIN, OR LESS   1 DAY 1 DAY
16-30 MIN. 1 3 DAYS 2 DAYS
2 OR MORE 2 DAYS each 1 DAY each
31-60 MIN. 1 5 DAYS 3 DAYS
2 OR MORE 3 DAYS each 2 DAYS each
OVER 60 MIN.   5 DAYS 5 DAYS
Preparation Time shall be Guaranteed only to the First Assigned Associate Director and Stage Manager

Residency

The Guild will provide Employer with documentation of the home address of each member to be hired on location. The Employee may change his/her home address by notifying the Guild in writing; the change will be effective 60 days after the request is received by the Guild; the Employee may not change his/her address more than once in any 12 month period.

The Guild will consider a member's request to change his/her address outside of the above time period if member can document s/he has been a resident of the area in which employed at least 60 days prior to first day of employment and the area is not Los Angeles, New York, Chicago, Wilmington, (NC), San Francisco, Toronto, or Vancouver.  

Deal Memos:

ADs or SMs of Prime-Time Entertainment Programs and ADs or SMs employed for 5 days or more on other types of programs will have employment confirmed in written memo.

Vacation:

4% of gross compensation.

Contributions: Pension-Health

Company will contribute 5½% to the Pension Plan and 7½% to the Health Plan. Employee contributes 2½% to the Pension Plan.

Rest Period:

ADs and SMs working in conjunction with taping unit or live broadcast are entitled to 9 hour rest period. If rest period is less than 9 hours the ADs and SMs shall be entitled to additional payment of ½ time for each hour of invasion, computed in ¼-hour segments. For Employees employed on daily flat or weekly flat basis, the additional. payment shall be an amount equal to 1/3 of the applicable overtime rate computed in ¼-hour segments.


Work Report Numbers

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2004 FLTTA Rate Card.

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  • 310-289-5300 (Los Angeles)
  • 800-421-4173 (Los Angeles)
  • 212-581-0950 (New York)
  • 800-356-3754 (New York)
    • Ext. 403 (Film)
    • Ext. 404 (Tape)
  • 312-644-7520 (Chicago)
  • 888-600-6975 (Chicago)
DGA Safety Hotline
1-800-DGA-3457

 

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