Garry Marshall discusses his career as a writer, producer and director on shows like Happy Days and Laverne and Shirley, and on feature films like Beaches (1988), Pretty Woman (1990), and The Princess Diaries (2001). Marshall also discusses his service with the DGA, working to protect the director’s creative vision.
Henry Chan (A Different World, Moesha, Fresh Off the Boat, 100 Days) discusses his 30-plus year career directing episodic television and feature films, his beginnings as an editor, and his involvement in the Asian American Committee.
Television director and producer Lee Shallat Chemel (The Middle, Gilmore Girls, Murphy Brown) discusses her long career directing episodic comedy, how she got her start on Family Ties, and the importance of her Guild service.
Veteran sitcom and pilot director and producer James Burrows (Cheers, Frasier, Taxi) discusses his vast, critically acclaimed and award-winning career directing some of the most iconic series from the 1970s to the present day.
Michael Schultz recalls his career through four decades of directing, beginning in the theater, successes with Cooley High and Car Wash, and his prolific work in episodic television.
Veteran feature and documentary film director and past-president of the DGA Michael Apted discusses his 45-plus year directorial career, highlighting his work on the Seven Up! documentary series, Coal Miner’s Daughter and Nell, among other notable projects. (Part 1 of 2)
Gary Shimokawa shares with interviewer Michael Zinberg his experiences over thirty years of working in television on shows such as All in the Family, Laverne and Shirley, and The Golden Girls.
Melvin Van Peebles discusses his career with his son, director and actor Mario Van Peebles, including starting to direct in France, his award-winning film The Story of a Three Day Pass, and kicking off the blaxpoitation genre with his independently financed and produced Sweet Sweetback's Baadasssss Song.
Veteran television director Howard Storm (Mork & Mindy, Laverne & Shirley, Full House) discusses his long career directing episodic television and the actors who received their big breaks on his sets, namely Robin Williams and Jim Carrey.
Norman Jewison shares stories from his more than forty-year career beginning as a live television director before transitioning to direct genre-bending feature films that entertained and challenged audiences, such as The Russians Are Coming The Russians Are Coming, In the Heat of the Night, Fiddler on the Roof, and Moonstruck.
Alan Myerson (Steelyard Blues, The Larry Sanders Show) recounts his 30-plus year career directing feature films and episodic television, his involvement with Second City, and the formation of the world-renowned improvisational troupe, The Committee.
Sidney Lumet discusses his directing style developed over 50 years of filmmaking including such noteworthy films as 12 Angry Men (1957), Long Day's Journey Into Night (1962), Dog Day Afternoon (1975) and Network (1976).
Director John Landis recounts his journey through the film business, starting as an 18-year-old mail boy at 20th Century Fox to directing blockbuster comedies like National Lampoon’s Animal House, The Blues Brothers, and Coming To America.