Director William Friedkin (The French Connection, The Exorcist) discusses his iconic career; beginning in the mailroom of a television station to winning the DGA Feature Film Award and becoming a premier member of the “New Hollywood” wave of filmmaking that revolutionized the industry.
Director Randa Haines (Children of a Lesser God, The Ron Clark Story) discusses her career in feature films and movies for television, sharing, among other highlights, how she selected Marlee Matlin from a background role and directed her to an Oscar-winning performance.
Bill Duke discusses his directorial career and working with Ossie Davis, Laurence Fishburne and Forest Whitaker in films such as Deep Cover, A Rage in Harlem, Hoodlum, and Deacons for Defense. He also discusses changes in the film industry and the DGA’s role in fostering diversity in Hollywood.
Ted Kotcheff tells boisterous and insightful stories from his 60-year directing career beginning in live television drama, and including classic feature films like First Blood and North Dallas Forty, as well as 12 years executive producing Law & Order: Special Victims Unit.
Miloš Forman discusses his career from the difficulties making films like Loves of a Blonde and The Fireman's Ball under the Soviet
regime in his native Czechoslovakia, to directing award winning films like like One Flew Over the Cuckoo's Nest and Amadeaus with the creative freedom he found in the United States.
Director and writer Joan Micklin Silver (Hester Street, Finnegan Begin Again, Crossing Delancey) shares insights and stories from her career directing independent features and movies for television.
Paul Mazursky reflects on his career as a director, writer, and actor, including directing films like Bob & Carol & Ted & Alice (1969) and Down and Out in Beverly Hills (1986), and his involvement in the DGA, especially in the area of creative rights.
Director John Landis recounts his journey through the film business, starting as an 18-year-old mail boy at 20th Century Fox to directing blockbuster comedies like National Lampoon’s Animal House, The Blues Brothers, and Coming To America.
Jesús Treviño discusses his career as a director of documentaries, episodic series and movies for television and his work on the series Resurrection Blvd.. Treviño also shares his working philosophy, his responsibility as a director in representing his community, and his involvement with the DGA’s Latino Committee.
Director Steve James recounts career highlights including the groundbreaking documentary Hoop Dreams and the six-year-long process to make the film, which led to directing narrative films like Prefontaine and critically-acclaimed documentaries like The Interrupters and Life Itself.
Television director and producer Lee Shallat Chemel (The Middle, Gilmore Girls, Murphy Brown) discusses her long career directing episodic comedy, how she got her start on Family Ties, and the importance of her Guild service.
Multihyphenate filmmaker Peter Bogdanovich (The Last Picture Show, Paper Moon) shares stories from his long career as a director, writer, producer and actor during the “New Hollywood” era.
Arthur Penn discusses his career from the early days of live television to his successes in feature films including The Miracle Worker (1962), Bonnie and Clyde (1967), and Little Big Man (1970).
Veteran director Irvin Kershner (The Empire Strikes Back, Never Say Never Again) discusses his long career in film and TV, directing for some of the most well-known and beloved franchises of all time.