As one of the first female assistant directors in Hollywood, Daisy Gerber has been called a lot of things, but studio big shot was not among them.
Charles Washburn, would never have come to Hollywood if not for experiencing the same racial bias in Chicago that blacks in the industry had endured for so many years.
Even with career highlights like working on The French Connection, Sophie’s Choice, and Naked City, William “Bill” Gerrity says receiving the DGA’s Frank Capra Achievement Award in 1983 was his greatest moment.
Second AD Tony Eng discusses how his experiences being a DGA trainee on ER helped pave the way to working on such diverse TV shows as Liv and Maddie and How to Get Away with Murder.
From Radio City Music Hall to the Oscars to Peter Pan Live!, Stage Manager Lynn Finkel discusses the excitement and pressure of working in live television.