As an Associate Director for The View, Naylor experiences "a huge adrenaline rush" working in live television.
Filling in for a friend on pregnancy leave was this UPM's entry into a two-decade career working in film production.
Her youth spent playing competitive volleyball, Levisohn is well prepared for the teamwork necessary to stage manage live awards shows.
Second AD Tony Eng discusses how his experiences being a DGA trainee on ER helped pave the way to working on such diverse TV shows as Liv and Maddie and How to Get Away with Murder.
From Radio City Music Hall to the Oscars to Peter Pan Live!, Stage Manager Lynn Finkel discusses the excitement and pressure of working in live television.