As Miller says, being a UPM is all about making magic—within the network budget, of course. She points to a sign in her office (from a stint on The All New Mickey Mouse Club) that reads: Anything Can Happen Day.
"I must be an adrenaline junkie," admits Julie Gelfand, "because being an associate director in live television is not for everyone."
"No stone left unturned" is more than a nice cliché to describe UPM Garrett Grant’s approach to his job—it’s the crazy truth.
Second AD Tony Eng discusses how his experiences being a DGA trainee on ER helped pave the way to working on such diverse TV shows as Liv and Maddie and How to Get Away with Murder.
From Radio City Music Hall to the Oscars to Peter Pan Live!, Stage Manager Lynn Finkel discusses the excitement and pressure of working in live television.