If there were an Ironman award for production professionals, Moore would have won hands down. His career began in 1916 as a child actor.
Callow was among the original ADs to join the Guild in 1938 and became one of the savviest nuts and bolts production pros in the industry.
The first black member of the Screen Directors Guild and the second black stage manager to work in network television, Franklin was as determined as he was skilled.
Second AD Tony Eng discusses how his experiences being a DGA trainee on ER helped pave the way to working on such diverse TV shows as Liv and Maddie and How to Get Away with Murder.
From Radio City Music Hall to the Oscars to Peter Pan Live!, Stage Manager Lynn Finkel discusses the excitement and pressure of working in live television.