Alejandro González Iñárritu invites the Quarterly into the editing room as he puts together Babel, his latest multi-story film.
The first black director to make a studio film helped create a genre with Shaft. But his biggest contribution was opening the door for a new generation of black filmmakers.
Niki Caro’s films—from Whale Rider to the upcoming Nazi-era drama The Zookeeper’s Wife have dealt with strong women testing their courage and strength. She should know.
The story of the Stevens clan—from George to George Jr. to Michael—spans the 80-year history of the Directors Guild. It is not only a legacy of indelible films, but one of respect for service and responsibility.
With A Dry White Season in 1989, Euzhan Palcy became the first black woman to direct a Hollywood studio film. She has been fighting the system ever since, and leading the way for a new generation of black female directors.
Actor, activist, and international celebrity, Angelina Jolie Pitt was surprised how much she’s loved being behind the camera for three serious-minded films—and counting.
In the towering TV series True Detective and in his features, Cary Fukunaga researches like crazy so that once he gets to the set he can really let fly.
When opportunity knocked, Gail Mancuso walked through the door, and she’s been directing hit comedies like Roseanne, Friends, and Dharma & Greg ever since. With her recent Emmy for Modern Family, she became the first female director to win twice for comedy direction.
Richard Linklater has always been fascinated by showing how lives change over a long period. In Boyhood, his latest and most ambitious film, he cast a young boy and watched him grow up—for 12 years.
After the early success of Barbershop and Fantastic Four, Tim Story has experienced the ups and down of a director’s life. Now with Ride Along and Think Like a Man Too, his career is on the rebound.