Alfonso Cuarón learned to direct in his native Mexico, traveled to Hogwarts for Harry Potter, and a dystopian future for Children of Men. For his latest excursion, Gravity, he goes spacewalking.
Director Anthony Hemingway started his career as one of the youngest ADs in Guild history, eventually helming numerous episodic shows and serving as director-producer on Treme. But it’s his attention to the human element that has defined his style.
At least not for Noam Murro, who has won two DGA Awards for groundbreaking commercials and conquered tricky special effects in his upcoming feature, 300: Rise of an Empire. But the one thing he hopes all his work has in common is heart.
Niki Caro’s films—from Whale Rider to the upcoming Nazi-era drama The Zookeeper’s Wife have dealt with strong women testing their courage and strength. She should know.
The story of the Stevens clan—from George to George Jr. to Michael—spans the 80-year history of the Directors Guild. It is not only a legacy of indelible films, but one of respect for service and responsibility.
With A Dry White Season in 1989, Euzhan Palcy became the first black woman to direct a Hollywood studio film. She has been fighting the system ever since, and leading the way for a new generation of black female directors.
Actor, activist, and international celebrity, Angelina Jolie Pitt was surprised how much she’s loved being behind the camera for three serious-minded films—and counting.
In the towering TV series True Detective and in his features, Cary Fukunaga researches like crazy so that once he gets to the set he can really let fly.
When opportunity knocked, Gail Mancuso walked through the door, and she’s been directing hit comedies like Roseanne, Friends, and Dharma & Greg ever since. With her recent Emmy for Modern Family, she became the first female director to win twice for comedy direction.
Richard Linklater has always been fascinated by showing how lives change over a long period. In Boyhood, his latest and most ambitious film, he cast a young boy and watched him grow up—for 12 years.
After the early success of Barbershop and Fantastic Four, Tim Story has experienced the ups and down of a director’s life. Now with Ride Along and Think Like a Man Too, his career is on the rebound.