Summer 2018
Books
The making of George Stevens' Texas-sized epic is recounted in Don Graham's meticulously chronicled book.
Summer 2011
by Robert Kolker
The most acute and perceptive critical study of some of the finest films and directors of the Hollywood New Wave of the 1970s.
Fall 2010
Gwynne Edwards
Luis Buñuel, like many great international filmmakers, still dwells, to a considerable extent, on the far side of a linguistic and cultural barrier. What we have until now lacked, however, is a study that relies primarily on Spanish-language sources, extensively researched and translated by the author.
Spring 2007
Richard Neupert
Starting in the early '50s, Neupert situates the Cahiers graduates in a wider, richer portrait of French cultural history. The second edition includes a new chapter devoted to Left Bank filmmakers and a new afterword.
Spring 2010
Mark Griffin
Vincente Minnelli was a contradictory man, says Mark Griffin in his enlightening new biography of the director.
Fall 2012
Betsy A. McLane
An account of the genre's history as context for the current state of documentary films, while considering the future of non-fiction films.
DGA Magazine March 2003
Samuel Fuller
Factual inconsistency is a recurrent feature of this dense text, but it matters not one bit really, as the facts and fiction here blur together into one seamless whole.
DGA Magazine January 2004
John Boorman
From a war-torn English childhood to dangerous locations for his movies, little about John Boorman's life and career could be called safe or comfortable.
Spring 2010
Peter Cowie
Peter Cowie celebrates Kurosawa's centenary with this exquisitely packaged, image-laden homage to the writer-director and his work.
DGA Magazine July 2004
Alison McMahan
Alice Guy Blache is described as "a striking example of the modern woman in business ... succeeding in a line of work in which hundreds of men have failed."
Summer 2011
by James Monaco
A snapshot of Hollywood at the high noon of the American New Wave, this is a delightful time machine of a book showing us what was actually there before the steady encrustation of myth had taken hold.
Spring 2006
Philip Lopate
Even the most critic-averse director will find something to savor in this comprehensive anthology of intelligent, thoughtful writing on film.
DGA Magazine July 2003
David Weddle
Subdivided into parcels, a bit like Beverly Hills itself, David Weddle's study of a place, a concept, an idea, a dream; languidly unfolds, enveloping the reader in a gauzy, gaudy, seductive, sweet-scented cascade of words and weaving, twisting geography.
Winter 2007/2008
Jeanine Basinger
Originally published in 1979, this reissue of Anthony Mann (now expanded, restored and updated) remains the only serious book-length study of Mann's work in English.
Spring 2011
by Jeanine Basinger
The undisputed master of three genres—film noir, psychological Westerns, and big-budget historical epic—Mann accumulated a majestic body of work.
Spring 2011
by Nat Segaloff
Renowned primarily for detonating the 1970s Hollywood Renaissance with 1967’s Bonnie and Clyde, Penn’s life was full of achievements no less potent and pace-setting.
Summer 2011
by James Sheldon
If there’s an emblematic career that showcases the entire history of television from its postwar inception to the late '80s, it must be James Sheldon's.
Summer 2009
Nick Dawson
Finally a biography of Hal Ashby, who made a series of remarkable movies during the 1970s before falling into disfavor and dying at 59. Ashby is the lost man of the Hollywood Renaissance.
Fall 2011
By Melvin Donalson
An account of black film in America, beginning with the movies of Melvin Van Peebles and Gordon Parks, among the first African-American films to be seen by a large national audience.
Fall 2017
Jerry London and Rhonda Collier
There's a sense of déjà vu in Jerry London's assessment of the smallscreen landscape when miniseries became all the rage.
Fall 2017
Joseph McBride
Joseph McBride, who has written magisterial biographies on John Ford, Frank Capra and Steven Spielberg, has put together a collection of his journalistic work through the decades.
Winter 2011
David Robinson
Originally published in 1985, Chaplin: His Life and Art offers a full immersion in the previously impenetrable method of Chaplin as a director.
Winter 2011
Otto Friedrich
A rollicking account of mid-century Hollywood, City of Nets opens with the movie industry at the pinnacle of its success (1939) and ends 10 years later with the chaos of the HUAC hearings, the rise of television, and the Supreme Court’s antitrust decision.
Winter 2013
Michael Goldman
Over the past 40 years, Clint Eastwood has gone from being ‘The Man with No Name’ to one of the industry’s most respected filmmakers.
Fall 2009
Werner Herzog
Detailing the production history of Fitzcarraldo from the director's point of view, Conquest includes a history of the first, abandoned production, which featured Jason Robards, Mick Jagger, and Mario Adorf in its cast.
Spring 2012
Annette Insdorf
Closely analyzing his films to date, Insdorf links Kaufman's versatile cinema by exploring the recurring and resonant themes of sensuality, artistic creation, and manipulation by authorities.
Summer 2011
by Richard Schickel
This epic, wide-ranging conversation between two people who together may know more about movies than anyone else in America offers nothing but pleasure
Spring 2006
George Stevens, Jr.
One part reminiscences, one part tricks of the trade, Conversations is a a must-read for those serious about directing and those who want to continue their film education.
Fall 2007
Eric Lax
Spanning 35 years' worth of interview between author and filmmaker, Lax's easy, familiar rapport with Allen translates into unexpected detail regarding Allen's influences and body of work.
DGA Magazine July 2004
Jed Dannenbaum, Carroll Hodge and Doe Meyer
Stressing the inner workings, motivations and artistic sensibilities of people who are passionate about film
Summer 2009
Steve Organ
In these interviews, well chosen by editor Steven Organ, Lean also addresses the perceived divide between his early, intimate British work and his later, expansive inter-national epics.
Fall 2008
Greg Olson
The world is not short of books about David Lynch, but none till now matches Greg Olson's complex, keen-eyed but sympathetic biography.
Winter 2010
Richard A. Barney
Whereas many filmmakers would seek to play down the contradictions in their work, Lynch does just the opposite in this book of compiled interviews edited by Richard A. Barney.
Fall 2006
Bill Carter
Surveying Titanic flops, Himalayan egos and Vesuvian temper-tantrums, New York Times TV correspondent Bill Carter compiles a compelling portrait of the years leading up to the transformational 2004-2005 TV season.
Spring 2007
Mike Figgis
A trained jazz musician and veteran of live theater, Figgis aptly communicates in this short volume the excitement provided by digital technology in allowing more immediate expression.
Fall 2012
Nick Bamford
A straightforward, no-nonsense, hands-on television directors textbook which applies as much in the U.S. as the U.K.
Spring 2013
Michael Rabiger and Mick Hurbis-Cherrier
Rabiger and Hurbis-Cherrier’s firsthand experience allows them to describe the day-to-day of directing in simple, uncomplicated terms, appealing to both the novice and seasoned pro.
Spring 2006
Jeremy Kagan
The second edition of the Kagan-moderated seminars with directors nominated for the DGA Awards' Outstanding Achievement in Feature Film includes fascinating remarks from directors including Steven Spielberg, Clint Eastwood, and Ang Lee.
Spring 2013
Jeremy Kagan
Each awards season, the Directors Guild of America’s nominees for best feature film gather for an in-depth discussion of their work at the annual Meet the Nominees Symposium.
Fall 2011
By Bethany Rooney and Mary Lou Belli
Written by two top female TV directors, this is an indispensable handbook for the aspiring TV director and should find its place in the curriculum of any film school in the land.
Winter 2010
Vincent Brook
In Driven, author Vincent Brook traces the role Jewishness played in the movies and sensibilities of UFA Studios figures such as Fritz Lang, Robert Siodmak, Fred Zinnemann, Billy Wilder, and Edgar Ulmer.
Winter 2011
Raoul Walsh
For a personal insight into the buccaneering, freebooting youth of Hollywood, you can’t do better than the memoirs of the man behind the eye patch.
Spring 2011
by Elia Kazan/Richard Schickel
Kazan’s epic account of the century and his life is as magnificent an achievement as many of his plays and movies, and possibly the best autobiography ever written by a movie director.
Fall 2010
Scott Eyman
Eyman reminds us how DeMille's rise in early Hollywood not only paralleled the industry's ascent to global prominence, but was inextricably intertwined with it.
Winter 2009
Glenn Lovell
Lovell's evenhanded biography of John Sturges fills yet another gap in our knowledge of postwar Hollywood, tracing the life and work of the director of such films as The Magnificent Seven and The Great Escape.
Summer 2008
Richard Brody
The most satisfying and epic movie biography of 2008 thus far, Brody's Everything is Cinema divides Godard's career into distinct creative periods, integrating the oft-told stories of the Nouvelle Vague with new research.
Winter 2011
Gene D. Phillips
Exiles in Hollywood looks at Fritz Lang, William Wyler, Billy Wilder, Fred Zinnemann, and Otto Preminger, analyzing the profound effect they had on American popular cinema after leaving UFA Studios.
Spring 2006
Tullio Kezich
Kezich seamlessly weaves together the life and work of this most autobiographical filmmaker, shedding new light on the films, and no doubt sending many readers straight to the video store to view Fellini's masterworks with fresh eyes.
DGA Magazine March 2003
Virginia Wright Wexman
This hefty reference book looks at Hollywood's motion picture and television treatment of five ethnic groups: African-Americans, Asian Americans, Hispanic Americans, Jewish Americans, and Native Americans.
Summer 2012
Alain Silver and James Ursini
A compilation of biographies, filmographies, and film-by-film analyses written by the who's who of film historians focusing on 30 key directors who helped shape the film noir genre.
Spring 2008
Richard Schickel
With over 60 reviews of books about film, Film on Paper offers a rich survey not just of the books, but also of the Time magazine critic's capacious and splendidly contrarian mind.
Winter 2013
Mike Goodridge
In this fourth installment focusing on the craft of filmmaking, Mike Goodridge profiles 16 of the world’s most respected directors, as well as five influential filmmakers who shaped the medium’s first century.
Spring 2013
Nat Segaloff
In a business where you’re only as good as your last film, it is surprising to learn that the final works of cinema’s greatest directors are often shrouded in mystery and relegated to the outskirts of their oeuvres.
Winter 2014
Bob Fosse
Teetering between exhaustive and exhausting, Fosse brings us the definitive portrait of a complex man and talented director.
Spring 2009
Hervé Dumont
Including a foreward by admirer Martin Scorsese, this biography (written in 1993 but finally translated from French) rescues the early Hollywood director from obscurity.
Spring 2011
by Marilyn Ann Moss
As the son of theatrical tent-show performers, former DGA president George Stevens truly grew up with Hollywood.
DGA Magazine February 2004
Colin MacCabe
Colin MacCabe presents us with Godard's daring shooting, lighting and editing techniques—some of the innovations that inspired filmmakers from London to Hollywood.
DGA Magazine July 2003
Richard Schickel
Schickel, the author of more than 30 books, has written his most personal one, interweaving autobiography with film criticism, he examines the pictures that made an impact on him as a child and reassesses them with a professional's gimlet eye
Summer 2010
Nick Dawson
Time and again, Ashby stresses his desire to remain hands-off in his direction of actors and their instincts. Ashby may have been hands-off but, in the end, only Ashby carried the entire movie in his head.
Fall 2008
David Thomson
Possibly the greatest movie-related bathroom book of all time, "Have You Seen...?" has 1,000 alphabetical entries, each with a well-honed five hundred words that will have you running to your Netflix queue or yelling in dissent.
Winter 2007/2008
Denise Mann
Deftly sorting out a complicated political and artistic saga, Mann concentrates on the business issues, the postwar political environment and the emblematic indies to trace how films reflect the often dissident circumstances of their creation.
Winter 2012
By Steven J. Ross
A history of the relationship between Hollywood and Politics.
Winter 2009
Richard Koszarski
The Rutgers film professor's richly detailed history is a New Yorker's passionate and unabashedly city-proud reclamation of film production in NYC, a ceaselessly eye-opening work of Gotham-based cultural anthropology and archeology.
Fall 2007
Thomas Doherty
Though he never directed a millimeter of film footage, Joseph Breen left an indelible mark on every movie made from 1934 to 1954, essentially functioning as chief enforcer of the Hays Code.
Spring 2019
Books
Author Gwenda Young makes the case that from the silent era to the golden age, Clarence Brown deserves a place among the giants.
Fall 2019
Books
As this Taschen volume makes clear, the Master of Suspense remains appealing to cineastes young and old, with 50-plus features underscoring his timeless ingenuity.
Winter 2011
Todd McCarthy
Hawks, a cofounder of the Directors Guild, was unusual in scrappy, knockabout early Hollywood; as an educated rich kid from Pasadena, he was slumming in what was still seen as a disreputable industry.
Summer 2006
John Anderson and Laura Kim
The film critic for Newsday (Anderson) and executive VP of marketing and publicity Warner Independent (Kim) throw a lifeline to young filmmakers and explain the film sales process.
Summer 2006
John Badham and Craig Modderno
The love-hate relationship between directors and actors is entertainingly dissected by veteran director John Badham and industry journalist Craig Modderno in this kiss-and-tell primer from the directing frontlines.
Spring 2009
Tony Verna
A memoir by the man responsible for instant replay in sportscasting, Instant Replay includes some energetic score-settling with CBS as well as stories involving Mother Teresa, Presidents Reagan and Bush and Dick Clark.
Spring 2007
Christopher Faulkner
A compact yet comprehensive survey of one of the great careers in cinema history, Jean Renoir shows the director's life in one clear, wide-angle shot, with frequent close-ups when necessary.
Fall 2013
John Badham
In John Badham's latest book he culls from his nearly 40-year history in the industry to provide invaluable first-hand insight for vets and novices alike.
Winter 2012
Jeffrey Meyers
A definitive biography of the larger-than-life career of legendary director John Huston.
Summer 2008
Giulia D'Agnolo Vallan
An oddly assembled, highly entertaining mess of a book, John Landis drives you out to rent every last one of the director's movies.
Winter 2007/2008
Brian Dauth
A welcome addition to the University of Mississippi series of interviews with directors, Mankiewicz: Interviews continually draws fascinating material from the director with a little help from interviewers like Andrew Sarris and Michel Ciment.
Spring 2009
Robert Cornfield
Robert Cornfield edits Kazan on Directing, a deftly assembled collection of the great director’s instructions to his theater and film collaborators. Included are character biographies, costume suggestions and staging setups, as well as brutally frank postmortem examinations of his work.
Spring 2011
Todd McCarthy & Charles Flynn
A landmark assessment of the independent sector of American filmmaking in the postwar decades, a teeming bestiary of risk takers, gore pioneers, and still-underrated auteurs.
Winter 2012
By Guy Magar
Autobiography from veteran feature and action TV director Guy Magar.
Spring 2018
Lost Epic
As the newly scaled down yet no less comprehensive Taschen book Stanley Kubrick’s Napoleon: The Greatest Movie Never Made demonstrates, Kubrick was nothing if not a completist.
Winter 2006
Jurgen Trimborn
Admirably well-sourced, consistently evenhanded, and remarkably succinct, A Life is now the authoritative biography of an appalling, albeit fascinating, figure of cinema.
Fall 2005
Scott Eyman
The biography of the founder of "Metro-Goldwyn-Mayerland" illustrates how MGM took the studio system to its purest - and most infuriating - heights.
Fall 2005
Lawrence Frascella and Al Weisel
An invigorating addition to the "making-of" canon, Live Fast, Die Young is a well-researched portrait of creative minds navigating personal anguish to make great, iconic art.
Spring 2011
by Delbert Mann
Former DGA president Delbert Mann was the first of the generation of Television directors to make a successful trek West to Hollywood.
Fall 2018
Books
Director Ernst Lubitsch, who was idolized by Wilder and Welles, is brought into sharp focus.
Spring 2012
Michael Lindsay-Hogg
A magical dreamscape memoir of the acclaimed director's boyhood and coming-of-age as the son of movie star Geraldine Fitzgerald, and making his way in the worlds of theater, film, and television.
Spring 2011
Sidney Lumet
Rarely does a book fully live up to the promise of its title, but Lumet’s memoir-cum-manual tells us in vivid and splendid detail how he does what he does.
Winter 2013
David Luhrssen
His name does not conjure the almost automatic word association that comes with discussing film’s most legendary directors, but Rouben Mamoulian has remained something of a mystery. Until now.
Fall 2006
F.X. Feeney
This critical analysis of Mann's work by LA Weekly critic F.X. Feeney contains dozens of painterly frame enlargements as well as materials from Mann's own archive.
Spring 2008
Bert Cardullo
Containing interviews conducted between 1960 and 1983, Interviews demonstrates that Antonioni was, then as now, always one step ahead of his critics and interrogators.
Summer 2006
Bill Daniels, David Leedy and Steven D. Sills
If knowledge is power, then every player in Hollywood looking to gain the upper hand in dealmaking ought to dip into this book. Not that the book’s contents – like the studio accounting practices it depicts – will be fully understandable to anyone who’s not a CPA.
Spring 2009
Tony Bill
Having been "on more sets than a lot of rental equipment," Bill is well-qualified to provide outsiders with this compendium of film lingo, made more complete with anecdotes involving names like Sinatra, Coppola, Malick and Spielberg.
Spring 2006
Alvin H. Marill
With 5498 entries from 40 television seasons, this five volume collection is the definitive resource on movies for television, listing title, airdate, network, cast, crew, and short synopsis.
Summer 2007
Quentin Falk
Clocking in under 200 pages, Falk's succinct biography displays deft command of the material, delivering a compressed tour through the life and work of the owner of the most recognizble silhouette in film.
Summer 2012
Garry Marshall
A memoir chronicling the five-decade career of film and TV director Garry Marshall.
Summer 2012
Tom Mankiewicz & Robert Crane
A self-effacing portrait of Hollywood insider Tom Mankiewicz, loaded with vibrant anecdotes.
Summer 2013
Edited by Peter Biskind
Henry Jaglom and Orson Welles had lunch together reguarly in 1983 and Jaglom began taping their conversations—right up until Welles’ death.
Winter 2010
Micky Moore
You want an epic life story? Try Micky Moore's near-century of activity in the movie business, first as a child star in silent films, then 20 years later as an in-demand AD and second unit director for auteurs like Cecil B. DeMille, George Cukor, John Sturges, and Steven Spielberg.
Summer 2011
by Patrick McGilligan
Nicholas Ray made movies about drug addiction, feminism, Mc-Carthyism, conservation, and ethnography years before anyone else.
Fall 2008
Robert Relyea with Craig Relyea
In this bracingly foul-mouthed and highly compelling memoir, producer/AD Robert Relyea recalls the last gasp of buccaneering, big-budget Hollywood filmmaking.
Summer 2007
James Naremore
Written in readable, jargon-free prose, Naremore's On Kubrick is the state of the art in deep Kubrick appreciation.
Summer 2006
Simon Callow
Spanning the years 1941-1947, Volume 2 traces the larger-than-life director's career from Kane to his never finished documentary, It's All True, about life in Brazil.
Winter 2011
Patrick McGilligan
In his exhaustive biography of the shadowy, half-forgotten yet indomitable African-American film pioneer Oscar Micheaux, McGilligan deftly assembled the sterling research of scholars of early black filmmaking into a compelling account of a quixotic life.
Winter 2006
Patrick McGilligan
In his biography of the half-forgotten yet indomitable African-American film pioneer, McGilligan deftly assembles the sterling research of several scholars into a compelling account of a quixotic life.
Fall 2007
Foster Hirsch
Despite Preminger's difficult reputation, author Foster Hirsch provides a judiciously balanced, three-dimensional biography of the director who helmed Laura and Anatomy of a Murder.
Spring 2011
Stephen B. Armstrong
The emblematic figure among the New York TV directors who made the journey to Hollywood in the 1950s, Frankenheimer refined his technique in live broadcasts before millions of viewers.
Spring 2008
Mark Harris
Harris' deeply researched account of the diverging fortunes of the five Best Picture nominees from 1968 provides a fascinating insider history of Hollywood in transition.
DGA Magazine May 2003
Mel Stuart and Josh Young
Unlike most "making of" film books, Pure Imagination, is straight from the maker's mouth, offering the intimacy of a director's own viewpoint.
Summer 2013
Peter Rainer
Critic Peter Rainer gives us a history of contemporary cinema; an insightful reflection on the evolution of the industry and the filmmakers who helped shape it.
Winter 2012
By Marilyn Ann Moss
A biography of maverick director, Raoul Walsh.
DGA Magazine July 2004
David Fantle and Tom Johnson
Since the summer of 1978 David Fantle and Tom Johnson captured more than 200 performers and filmmakers on paper.
DGA Magazine May 2004
Peter Cowie
As lively as its title, free of ham-handed analyses, academic jargon or smug theories — no small feat when examining movies of the world within the political, social and artistic context of the turbulent '60s.
Fall 2009
Mitchell Zuckoff
Resembling an Altman movie, dozens of figures (including the director himself) yak, yarn, kvetch, and carp in this epic oral biography put together by Zuckoff.
Summer 2013
Alan Casty
Alan Casty tackles the often frustrating paradoxes of a man whose fundamentally American films possess a darkness that reveal the complex ideology of their volatile director.
Spring 2007
James Sanders
Filled with shots from famous New York movies and including an interview with Martin Scorsese (as well as comments and anecdotes from New Yorkers like Nora Ephron and Woody Allen), Scenes showcases the city's many faces and the filmmakers who capture it.
Winter 2011
Joseph McBride
Drawing on three decades of research, Searching covers Ford's directing, history as a co-founder of the Directors Guild, politics, and his wildly contradictory personality, valiantly attempting to separate Ford’s many masks from his actual visage.
Fall 2006
John Bengtson
A worthy companion piece to the Schickel collection, the deliriously obsessive and bracingly thorough Silent Traces scours the backgrounds of Chaplin's films to point out their exact locations, past and present, through photographs.
Fall 2005
Lawrence Turman
Written by the producer of The Graduate, So You Want To Be provides anecdotes while establishing the producer's function as one who starts the ball rolling and keeps it rolling.
Spring 2010
Gene D. Phillips
Gene D. Phillips’ Some Like It Wilder is a critical-historical biography, with Wilder’s work very much taking primacy over his personal life.
Fall 2012
Richard Schickel
An intimate appraisal of the films that made Steven Spielberg an icon.
Fall 2010
Merrill Brockway
Merrill Brockway belongs to that bustling generation that returned from World War II, earned its education on the GI Bill (his at Princeton), and then moved into an optimistic postwar future where the maps were not yet drawn.
Summer 2010
James Naremore
Naremore's close-reading and contextualization of the film make Sweet Smell of Success seem like a heroic victory over its producers' own worst instincts and an even more remarkable achievement than we already believed.
Summer 2007
Michael Barrier
Focusing on the improvisatory manner in which Disney and his partners turned a fledgling filmic entertainment into a global industry, Barrier's biography ultimately finds Disney an elusive figure beneath his workaholic tendencies and relentless optimism.
Summer 2009
Tom Reilly
Assistant director Tom Reilly's labor of love, a lifetime’s experience generously distilled into practical advice for assistant directors—tyros and old hands alike.
Fall 2012
David Thomson
A history of the motion picture industry—from its inception to Inception—an inspired study of its place in 21st century culture.
DGA Magazine March 2003
Ted Bergmann and Ira Skutch
Most people today under 50 are unaware of Du Mont as a fourth network — or that multitudes watched programs on Du Mont TV sets.
DGA Magazine March 2003
James Robert Parish
This hefty reference book looks at Hollywood's motion picture and television treatment of five ethnic groups: African-Americans, Asian Americans, Hispanic Americans, Jewish Americans, and Native Americans.
Fall 2006
Richard Schickel
Richard Schickel's excellent selection of critical and biographical essays is a fine place to begin for readers interested in learning more about the seminal cinematic figure.
Winter 2006
Myrl A. Schreibman
An adjunct professor at UCLA, Schreibman presents an essential outline - culled from his own experience in theater, film, and TV - of what is needed to get the unbelievably complex job done.
Summer 2010
Alain Silver, Elizabeth Ward, James Ursini, and Robert Porfirio
Weighing in at 500 pages, this venerable compendium subscribes to the idea that noir pertains to tone and features profiles of a wide array of films.
Fall 2007
Richard C. Keenan
A thoroughly researched critical survey of the former DGA President's five-decade career in Hollywood, Keenan's book contains clear and persuasive analyses of Wise's techniques, revealing an artist determined to let his material live and breathe.
Spring 2013
William Friedkin
William Friedkin is rightly considered a pioneer of the New Hollywood movement that exploded onto American screens in the late ’60s and ’70s.
Fall 2011
By Kristin Thompson
A multi-angle saga of the “once in a lifetime” making of Peter Jackson’s magisterial The Lord of the Rings trilogy.
Fall 2011
By Rebecca Keegan
A nuanced take on the director, benefiting from personal access to the man himself and almost every co-worker that could find, as well as family members and people who’ve known him since he was a lowly effects and landscapes artist.
Spring 2012
George Stevens, Jr.
In this series of conversations held at the American Film Institute all aspects of work are discussed with men and women working in pictures, beginning in 1950 to Hollywood today.
Summer 2009
Phil Hall
Throughout Phil Hall's survey, one is repeatedly struck by how many movies were independently produced: Griffith’s Intolerance, entire specialist markets ranging from “race movies” to Yiddish-language productions, and even James Cameron’s first Terminator.
Spring 2010
Edward Jay Epstein
Edward Jay Epstein's The Hollywood Economist proves a more reader-friendly follow-up to his previous book on film economics, The Big Picture.
DGA Magazine February 2004
Staff of Hollywood.com
Baseline Hollywood Film Director Directory, Edited by the Staff of Hollywood.com.
Winter 2007/2008
Judith Freeman
An enthralling academic detective story (with a marked resemblence to one of Chandler's novels), The Long Embrace is 2007's finest book about Los Angeles.
DGA Magazine May 2003
David Thomson
Stating at the outset that he is uncomfortable with the new title of "the" rather than "a" biographical dictionary, Thomson encourages his readers to compose their own responses.
DGA Magazine May 2004
Written by The New York Times film critics; edited by Peter M. Nichols; and with a new foreword by A.O. Scott
Winter 2011
Kevin Brownlow
Nearly forty years on from its original publication, Kevin Brownlow’s The Parade’s Gone By... still packs quite the Proustian punch, with its chorus of then venerable, now long-dead legends of the silent era reminiscing on experiences that even then were 40 years in the past.
Spring 2008
David A. Price
David A. Price's well-researched history of Pixar is also a history of the long march of CGI, with stops along the way, including the war between Disney and Pixar, embodied here by Michael Eisner and Steve Jobs.
Winter 2006
Stephen Randall & the editors of Playboy
With in-depth interviews of Billy Wilder, Robert Altman, Martin Scorsese, Stanley Kubrick, Ingmar Bergman and more, you can read this Playboy offering "for the articles."
Fall 2010
Nicholas Carr
Just as it has transformed our ways of doing business, of communicating with one another, and entertaining ourselves, the Internet, says Carr, by reference to countless neuroscientific studies, is also changing our brains, and not necessarily for the better.
DGA Magazine January 2004
Bob Willoughby
Beginning in the early 1950s, Bob Willoughby became one of the most successful photojournalists in the film industry and the first "outside" photographer to work on Hollywood's closed sets.
Fall 2011
By James Mottram
A respectful and multileveled account of the generation of filmmakers spawned (in the main) by the Sundance Film Festival under the auspices of Robert Redford.
Fall 2009
Charles Finance & Susan Zwerman
Finance and Zwerman have assembled an essential guide for both tyros entering the industry and established directors who want to feel more comfortable working in this brave new world of VFX.
Winter 2014
Wes Anderson
It’s easy to generalize the work of director Wes Anderson as “artificial,” but in his new book, Matt Zoller Seitz finds the substance in Anderson’s signature style.
Fall 2013
Doug Wilson and Jody Cohan
Wilson’s new memoir is a fascinating behind-the-scenes account of what it was like to bring viewers “the thrill of victory, and the agony of defeat,” week in, week out.
Fall 2005
Norman Jewison
Jewison's honestly-titled memoir is of special interest to readers intrigued by the longevity of this particular genre-hopper.
Summer 2007
Jack Valenti
This posthumous memoir from the industry's dapper head of the MPAA details Valenti's eventful life, including his poor childhood in Texas, his time in the White House advising LBJ, and his stewardship of the (in)famous ratings association.
Summer 2011
by Douglass K. Daniel
We get to see beyond Brooks' barking autocrat and observe what several friends and co-workers call "the mischievous twinkle in his eye."
Winter 2009
Michael Sragow
Michael Sragow profiles the former auto racer, who Steven Spielberg once complimented as "one of the great chameleons. We honor his movies and don't know him - because he did his job so well."
Winter 2009
Emanuel Levy
Levy's in-depth biography makes a convincing case for a revival of interest in the maestro's glorious body of work.
Fall 2006
John Rich
A veritable Zelig of the industry, and an inexhaustible fund of good anecdotes (including one involving Shelley Winters and another involving a difficult Jerry Lewis), Rich remains fine company from first page to last in this chronicle of an epic life.
Summer 2008
Walter Mirisch
Over the course of 50 years, legendary producer Walter Mirisch went from teenage theater usher to one of the most respected producers in Hollywood.
Summer 2013
Jaron Lanier
Who Owns the Future? is a cautionary tale, warning of an economic cataclysm and eradication of the middle class if the concept of “free” information keeps to its current trajectory
Fall 2006
William Wellman, Jr.
Written by Wellman's son, The Man and His Wings is part fond memorial, part family scrapbook, packed with previously unseen photos, mementos of Hollywood's Golden Age, and letters from the front.
Winter 2010
Gabriel Miller
Despite twelve best director nominations and three wins, Wyler resisted the title of "auteur," instead preferring to recognize the contribution of his collaborators. As the interviews in this book (which span from 1939 to Wyler's death in 1981) reveal, he felt the director should shape himself to the picture's needs.
Winter 2014
William Wyler
William Wyler has often been excluded from auteurist circles, and by extension from serious film study, which, as Gabriel Miller argues, is a gross oversimplification.
Fall 2011
By Mary G. Hurd
Mixing biographical information with an overview of each career, Women Directors & Their Films identifies the commonalities and distinctions between the many female directors who’ve come to prominence.
Spring 2007
Karen Ward Mahar
Thoroughly researched and powerfully written, Women Filmmakers offers stirring revelations that illuminate a forgotten pioneering spirit among early women filmmakers.
Fall 2008
Alex Cox
A conundrum among independent filmmakers, Cox has always done things his way. Appropriately, then, X Films communicates a tangible sense of filmmaking as adventure, more how-to than autobiography.
Summer 2012
James Christie
A compelling study of Richard Donner, an ebullient, ballsy risk-taker who was a director even before he was aware of it.