Throughout Phil Hall's survey, one is repeatedly struck by how many movies were independently produced: Griffith’s Intolerance, entire specialist markets ranging from “race movies” to Yiddish-language productions, and even James Cameron’s first Terminator.
Assistant director Tom Reilly's labor of love, a lifetime’s experience generously distilled into practical advice for assistant directors—tyros and old hands alike.
Finally a biography of Hal Ashby, who made a series of remarkable movies during the 1970s before falling into disfavor and dying at 59. Ashby is the lost man of the Hollywood Renaissance.
In these interviews, well chosen by editor Steven Organ, Lean also addresses the perceived divide between his early, intimate British work and his later, expansive inter-national epics.