1st AD Jennifer Reiss and 2nd AD Jason Melius discuss the challenges of filming the season finale of CBS' All Rise, which was prepped and filmed entirely remotely.

2nd AD Joann "JoJo" Connolly doesn't take any part of her work for granted.

2nd AD Rachel Jaros keeps her game face on when it comes to assigning responsibilities on The Irishman.

2nd AD Eric Lasko appreciates the unexpected, both in life and on set.

Production associate Nate Hapke thrives on the fast paced environment at General Hospital

Late Night With Seth Meyers associate director Amy Mancini is usually busiest after three in the afternoon.

Stage manager David Auerbach enjoys the choreographed chaos of a typical morning at The Today Show.

Given that in the new millennium, consumers access TV programming in myriad ways, we present a thorough rundown of how DGA members' content is delivered to viewers.

Following in the footsteps of Netflix, Amazon and Hulu, networks like CBS, AMC and FX are getting into the custom streaming game, with exclusive content a primary selling point.

With Big Tech becoming increasingly invasive on our economy and private lives, we look at how antitrust battles of the past are relevant to the present, and the consequences of a monopolistic world on entertainment.

Michael Apted's deep documentary experience informs his quest for authenticity, and as the issue of creative rights loomed after Thunderheart, that awareness sparked a decades-long involvement in DGA leadership.

Director Lily Olszewski and her team keep the country's most-watched morning telecast churning ahead of a hyperactive news cycle.

Three decades of kinship have allowed director Kenneth Branagh and composer Patrick Doyle to work in cultivated harmony, dating back beyond Branagh's first feature, 1989's Henry V.